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La stravagante tribù dei globetrotter

The Bizarre Tribe of Globetrotters

Lorella Pagnucco Salvemini - February 24, 2021

ALBERTO BIASI davanti all’opera Strutturazione dinamica eseguita per le riprese della prima telecamera a colori, costruita in Italia dalla Magneti Marelli, e presentata dal gruppo N alla Biennale di Venezia nel 1964 Alberto Biasi in front of the work Strutturazione dinamica created for the footage of the first color camera, built in Italy by Magneti Marelli, and presented by group N at the Venice Biennale in 1964 Ph: Malfer, 1975

Eyes on Alberto Biasi: the artist with three lives

Luciano Caprile - February 25, 2021

mariani

Umberto Mariani’s Long-lasting Research: how those draperies become contemporary

Francesco Raffaele Mutti - February 26, 2021

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BRUCE NAUMAN Clown Torture 1987 The Art Institute of Chicago, Watson F. Blair Prize, Wilson L. Mead, and Twentieth-Century Purchase funds; through prior gift of Joseph Winterbotham; gift of Lannan Foundation, 1997.162 © Bruce Nauman / ARS, NY and DACS, London 2020, Courtesy Sperone Westwater, New York

Bruce Nauman at the Tate Modern: laugh clown, laugh

Francesco Agnellini - March 5, 2021

FRANCIS BACON Study for Bullfight No. 1, 1969 Oil on canvas, 197.7 x 147.8 cm Private collection © The Estate of Francis Bacon. All rights reserved, DACS/Artimage 2020. Ph: Prudence Cuming Associates Ltd

A Major Francis Bacon Retrospective Exhibit at the Royal Academy: the Painter and the Beast

Maria Angela Tiozzi - March 3, 2021

OLAFUR ELIASSON Beauty, 1993 Installation view: Guggenheim Museum Bilbao, 2020 Ph: Erika Ede Museum of Contemporary Art, Los Angeles © 1993 Olafur Eliasson

Olafur Eliasson at the Guggenheim: like the northen lights

Elena Altemura - March 2, 2021

ANSELM KIEFER Der fruchtbare Halbmond, 2010 Sammlung Grothe in der Kunsthalle Mannheim © Anselm Kiefer

Anselm Kiefer at the Kunsthalle: the importance of memory

Alessandro Romanini - March 1, 2021

mariani

Umberto Mariani’s Long-lasting Research: how those draperies become contemporary

Francesco Raffaele Mutti - February 26, 2021

ALBERTO BIASI davanti all’opera Strutturazione dinamica eseguita per le riprese della prima telecamera a colori, costruita in Italia dalla Magneti Marelli, e presentata dal gruppo N alla Biennale di Venezia nel 1964 Alberto Biasi in front of the work Strutturazione dinamica created for the footage of the first color camera, built in Italy by Magneti Marelli, and presented by group N at the Venice Biennale in 1964 Ph: Malfer, 1975

Eyes on Alberto Biasi: the artist with three lives

Luciano Caprile - February 25, 2021

La stravagante tribù dei globetrotter

The Bizarre Tribe of Globetrotters

Lorella Pagnucco Salvemini - February 24, 2021

CHEN ZHEN Fu Dao / Fu Dao, Upside-down Buddha / Arrival at Good Fortune, 1997 Installation view CCA – Center for Contemporary Art, Kitakyushu, Japon, 1997 Courtesy Galleria Continua, San Gimignano / Beijing / Les Moulins / Habana © ADAGP, Paris Ph: Chen Zhen

Milan. Chen Zhen at HangarBicocca: the iconography of the human body

Monia Malinpensa - January 20, 2021

MARA FABBRO ALBERTO PASQUAL È per sempre Installation Ph: Davide Dimitri

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Alice Gatti - January 19, 2021

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BRUCE NAUMAN Clown Torture 1987 The Art Institute of Chicago, Watson F. Blair Prize, Wilson L. Mead, and Twentieth-Century Purchase funds; through prior gift of Joseph Winterbotham; gift of Lannan Foundation, 1997.162 © Bruce Nauman / ARS, NY and DACS, London 2020, Courtesy Sperone Westwater, New York

Bruce Nauman at the Tate Modern: laugh clown, laugh

Francesco Agnellini - March 5, 2021

CARLA ACCARDI Nelle ombre sui muri, 2005 Galleria Santo Ficara, Firenze © Carla Accardi, by SIAE 2020

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La stravagante tribù dei globetrotter

The Bizarre Tribe of Globetrotters

Lorella Pagnucco Salvemini - February 24, 2021

ANSELM KIEFER Der fruchtbare Halbmond, 2010 Sammlung Grothe in der Kunsthalle Mannheim © Anselm Kiefer

Anselm Kiefer at the Kunsthalle: the importance of memory

Alessandro Romanini - March 1, 2021

BANKSY Golf Sale, 2003 Courtesy Artrust

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Cesare Orler - November 18, 2020

CINDY SHERMAN Untitled #122, 1983 Courtesy de l’artiste et de Metro Pictures, New York © 2020 Cindy Sherman

Cindy Sherman Exhibition at Fondation Louis Vuitton: I dress up, so I am

Paolo Magri - November 27, 2020

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